Josh Lanyon Main Title

"Snowball in Hell"
From Partners in Crime 2: I'll Be Dead for Christmas

It's 1943 and the world is at war. Reporter Nathan Doyle is just back from the European Theater when he's asked to cover the murder of a society blackmailer--a man who, Homicide Detective Matthew Spain believes, Nathan had every reason to want dead.

"Snowball in Hell" is Josh's contribution to I'll Be Dead for Christmas, the second of a series of Partners in Crime pairings with Sarah Black.

It's also available as a standalone e-book from Aspen Mountain Press.

Honorable Mention,
"Best Historical Novel of 2007"
Love Romance Cafe
 


WHAT THEY'RE SAYING

"For me, the real heart of the thing was the love story. Nathan’s loneliness and fear, and his yearning for love were so well drawn that I hurt for him, making the tenderness of the love scenes absurdly touching. I think I choked up on several occasions. For a book in which people get shot, kidnapped, blackmailed and beaten up, I think this is still one of the most wonderfully romantic things I’ve ever read. Indeed, the realistic peril; the sense that at any moment everything could go wrong, makes the triumph of love all the more valuable. Ah, I’m over-analyzing, but basically, the adventure and investigation was exciting and believable, and the love story one of the best I’ve ever read... this is a definite keeper!"
Alex Fitzroy, Night Owl Romance

"A remarkably quick paced and intelligent detective/who done it love story. Between men. I loved that these little vignettes told from either Matt or Nathan's POV moved the story forward and kept me intrigued, curious and busy in an attempt to keep who's who straight in my brain. heh. A little hat tip to Josh for effectively capturing a film noir quality to the book."
Lisabea at Nose in a Book

"As I said, the mystery is pretty good, it has reminded me one of those black and white movies, Humphrey Bogart style (even if I don't envision Nathan nor Matt with the face of Bogey...) or lately L.A. Confidential (and maybe Matt with the face of Russel Crowe and Nathan with that of Guy Pearce...), but what I was searching reading the book, and that I have found wonderfully written, is the love story between Nathan and Matt."
Elisa Rolle

"This is not your typical romance. It’s not even sold as a romance on the website. They have it categorized as a mystery, which is probably more than fair. The vast bulk of the story is given to solving the mystery of Phil Arlen’s murder, but because there is a romance with consummation, I’m being difficult and classifying it as such. But the build-up is slow, wonderfully slow, with the first half of the book dedicated to getting to know the two leads and discovering facts about the murder more than anything else. It makes it very easy to connect with them as characters before they move on to the romantic aspects of the story."
Book Utopia 

"I find it highly ironic and amusing that I run from my own living room when the TV is hijacked for one more cop/mystery show, yet I’m addicted to Josh Lanyon mysteries.  Josh’s writing is unique and descriptive.  Getting overly attached and involved with the  characters is easy to do and Snowball In Hell does not disappoint. "
Joyfully Reviewed (A Joyfully Recommended Read)

"This book is excellent, I kid you not. The mystery part is engaging, the characters are very likable and the gay romance is very good too. The sex is hot without overwhelming the plot which is not common in gay books/ebooks these days."
Katikat for Gay Book Club at LiveJournal 

"Snowball in Hell is not your typical romance or even your typical mystery with a little romantic subplot throw in... the few sensual scenes do nothing to detract from the plot, in fact they add to it. They serve to convey Nathan’s desperation for a human touch and later the growing intensity of the bond between the two men. The stark backdrop of a war torn city, the gritty noir writing style, and the emotionally and physically injured men all combine to make this a story that I happily recommend.
Hayley for Fallen Angels Reviews (Recommended Read)

"Snowball in Hell"
appears in
Partners in Crime 2:
I'll Be Dead for Christmas

2007, mlrpress
Buy this book

"Snowball in Hell"
2007 e-book edition
Aspen Mountain Press
Buy this book

(Are you still hesitant to try ebooks? Aspen Mountain Press is offering a special discount of 15% on this title, good until the end of May. Just enter coupon code number SIHRR0508 at checkout.  Tell 'em Josh sent ya.)



.


Snowball in Hell
An excerpt from the novella by Josh Lanyon

Pearl scrambled out of her cab before it stopped. She darted across the shining wet sidewalk, past the fish sculptured fountains, spumes of white shooting into the dusk, and disappeared through the side entrance of Union Station. Nathan swore, finally found a parking slot, and turned the engine off. He was out of the car, and loping across the wet and oily lot, following Pearl as he'd been following her since the moment she sneaked out of Sid Szabo's apartment building and into a waiting taxi.

Inside Union Station was a madhouse. Porters hustled, families greeted and friends good-byed, the sheer volume of sound rising from the marble floors and Spanish tiles, soaring up and disappearing into the cathedral-high ceiling and the gigantic iron chandeliers. Nathan scanned the milling crowd for Pearl's hat -- a silly little fur doughnut balancing on Pearl's silly little platinum head. But there was no sign of either the hat or Pearl as he avoided small children, animal carriers, and stacks of luggage, pushing his way through the mob of holiday travelers and GIs.

In answer to his urgent question, the gateman jerked his thumb towards the wide entrance leading to the tracks.

There was only one train at the platform, and it was starting to move.

Nathan ran, swinging himself up the steps as the train began to pick up speed. It took him a moment to catch his breath. He mopped his face on his rain-damp coat, and then set out to find Pearl in the crowded coaches.

He strode through four coaches filled with merry travelers -- but no Pearl. He pushed open the door to the dining car. That was packed too, and he almost missed her, wedged in between a steamy window and a fat lady in a bright blue coat. Pearl was mostly hidden behind an open menu, but he spied the fur doughnut dipping drunkenly over the menu.

A steward came forward and Nathan let himself be led to a table, politely insisting on one with a good view of his quarry.

If he'd suspected Pearl knew she was being followed, he was soon reassured. She scanned the menu leisurely, put it down and smiled discouragingly at the friendly overtures of the fat lady.

All at once Nathan was very tired. His side was hurting from his sprint to catch the train. He picked up a menu, glanced it over. He wasn't hungry; he was rarely hungry these days, but he had to keep his energy level up. He watched Pearl over the top of his menu.

She stared determinedly out the window at the sky turning indigo, and the fat lady eventually gave up and devoted her earnest attention to a fashion magazine no doubt full of clothes she would never be able to wear.

The steward came and Nathan ordered a sandwich and a glass of milk. He ate with half an eye on Pearl, and half an eye on the rest of the passengers. The sky changed from indigo to purple, Pearl finished her meal and squeezed -- with great difficulty -- around the cooperative but ungainly lady in blue.

Doyle drained his milk glass, waited a few moments, and followed her out to the last car. It was a smoker car, about half-full with passengers. He took the seat across from her, lit up and stared out the window. In the reflection he watched Pearl take out a little jeweled cigarette case, select a cigarette, and tap it on the case. Her gaze fell on Doyle.

He glanced over as though only noticing her. “May I?” he said, pulling his lighter out.

She nodded, leaning towards him, watching him from beneath the foolish fur doughnut.

“Thanks.”

He nodded politely, snapped his lighter closed, and returned to watching her in the darkened window. She studied him appraisingly.

“Say,” she said. “Have we met?”

Doyle turned back to her. Cocked his head. “I'm not sure,” he said slowly, and he offered her his best smile. She smiled back. They always did. He looked unthreatening, like -- he had been told by a slightly inebriated starlet -- a gentleman.

He watched the conductor working his way slowly down the aisle, asking for tickets. A gabby old guy stopping to shoot the breeze with just about every passenger.

“I'm sure I've seen you around. You live in Los Angeles?” She pronounced it “Los Angle-less.”

“That's right.” He expelled a stream of smoke, watching her working it out.

“You ever come around to the Las Palmas club?”

He widened his eyes. “Hey,” he said. “You're her! The songbird.”

She laughed, delighted. Preened a little.

“Nice job you do on that 'I'm Getting Sentimental Over You' number.” Nathan told her, and listened to her warble on about the rest of her repertoire -- and then who she was going to be auditioning for next summer. He let her run 'til she was out of steam, and then he said, “I was at the club on Saturday night. The night the Arlen kid was nabbed.”

Her smile slipped. She stared down at her cigarette. “Oh.”

“Shame about that.”

“Yes.”

“So where are you headed?”

She relaxed. “Little Fawn Lodge. Not far from Indian Falls.”

He had a vague idea Indian Falls was located somewhere in the Sierra Nevada Mountains. He mimed surprise, and it wasn't hard. “There's a coincidence. That's where I'm headed.”

“You're kidding!” There was something funny in her face. “But…the ski resorts are all pretty much closed since the war.”

“Well, you see,” Nathan confided, “I'm not a skier, I'm a writer.”

“A writer,” Pearl repeated slowly. She was watching him with narrow eyes. “What kind of writer?”

“Screenwriter. For the pictures.” He figured that would impress her, but she remained wary. He'd misstepped, miscalculated either her paranoia or his own recognisibilty.

“You're kidding.”

He shook his head. “I needed to get out of town. Needed some peace and quiet so I could work. Thought of the lodge.”

“You'll get plenty of that.” She gave him that same discouraging smile she'd given the fat lady. “Well, it's been swell shootin' the breeze.” She jabbed her cigarette out, nodded to Nathan, rose and started down the aisle.

“See you around,” Doyle said to her back. She didn't respond.

Damn.

“Tickets please,” said the conductor, reaching Nathan at last.

“I'll need to buy one from you,” Nathan said, pulling out his wallet. “I'm going to Little Fawn Lake.”

The conductor drew the ticket pad from his pocket. “Didn't think it was open. Most of the resorts are closed now. Hope you made reservations. It's not weather to be sleeping out in.” He disconnected a strip from the ticket pad, punched it, and handed it to Nathan. “Train stops at Indian Falls. You'll have to hire a car.”

“That's all right,” Nathan said, hoping it was. He didn't kid himself he was up to spending the night in freezing temperatures. He paid for the ticket, considering his finances. He hadn't started the day planning on a ski resort holiday.

The train continued on its way through the deepening darkness. He stared out the window. The black-plum sky had a luminous quality that made the trees and mountains stand out in stark relief.

The wheels of the train clackety-clacked along the rails in soothing monotony. Every so often the whistle blew sounding through the night, echoing through the pines and slopes.

Now what? He'd found Pearl Jarvis -- and the fact that she was trying so hard to avoid being found surely meant she knew something worth knowing -- something that might help his own position.

He wondered if Lt. Spain would think he was trying to skip town.

The train wheels rumbled along the track. He closed his eyes, putting his head back for a moment. He had learned to snatch sleep where he could find it, and this seemed to be a safe enough place for a catnap….

A German flare arched high into the night. Machine-guns and forty-millimeter guns opened up, firing from across the dunes, slicing the night with yellow, green, blue, and red tracers -- pretty, like fireworks. Tongues of colored flame licking out, licking hungrily for the transports high overhead, knocking them out of the sky. He watched them go down, burning. He turned his head and Matt was standing next to him, watching him. Matt's face was shadowed by the fire, little pinpoints of flame in his pupils.

“Where there's smoke,” he said, and he smiled that smile that made him look younger and almost affectionate.

Nathan started awake to a surge of new passengers coming down the aisle, taking the seats around him. He sat up, automatically reaching to straighten his tie, and realized the train had stopped. Turning to the window, he peered out, trying to see which station it was. Old-fashioned Christmas lights hung from the station pavilion. Several lights were dead, like missing teeth in a wide grin. A peeling sign read ..di.. .all.

Hoping it wasn't an omen, Nathan rose, steadying himself on the back of a seat, and made his way hastily down the aisle towards the platform. He found his path blocked by two nuns struggling with a mountain of parcels, and, instinctively, he stopped to help them shove their packages out of the way. It only took a minute, but as he reached the platform, he saw a Ford station wagon sedan pull up at the far end of the pavilion. A familiar tan coat and fur hat slipped inside, and the Woody glided away.

Nathan swore under his breath, crossing the platform and walking out onto the street. He looked around himself.

Indian Falls was a resort town, but if it hadn't been for the tatty fake pine garland strung across Main Street, it could have passed for a ghost town. A steady wall of closed shops stood across from the railroad station: a beauty parlor, a pawn shop, a cigar store, a lending library, a Chinese laundry. Nathan peered at his watch. It was eight-thirty.

He went back to the now deserted station and read the sign on the ticket window. BACK IN ONE HOUR. Swell. He stared at the final twinkling lights of the departing train now vanishing into the pine-thick mountains.

Now what?

One thing for sure, it felt cold enough for snow. He shivered and looked up at the starry sky. Not a cloud anywhere. That was the good news. The bad news…

He walked back out to the street. Far down the block he spotted lights. A corner all-night drugstore. He started walking.

It was warm and bright inside the drug store. It was also mostly deserted. An elderly woman with a Swedish accent pointed him to a public phone, and Nathan dug for change, wondering if the woman took much heat from idiots mistaking her for a Kraut.

It took time and persistence, but at last he reached LAPD Headquarters, and, to his surprise, with a little more persistence he actually got through to Lt. Matthew Spain.

“Spain here,” he answered, still crisp and efficient at eight-thirty -- no, nine o'clock -- at night. Spain worked late for a married man, but that was homicide.

“It's Nathan Doyle,” Nathan said.

There was a funny pause, and then Spain said, “What can I do for you, Mr. Doyle?”

“I've located Pearl Jarvis. She's staying at Little Fawn Ski lodge up near Indian Falls. It's in the Sierra Nevadas.”

“I know where Indian Falls is. I used to camp there,” Spain said, sounding almost human. “How'd you find her?”

“I followed her from Los Angeles.”

“By car or train?”

Doyle couldn't see why it mattered, but that was a cop for you. They liked all the Is dotted and the Ts crossed. No loose ends. Not so different from a good reporter, really.

“By train. I'm in Indian Falls right now, trying to get a ride up to the lodge.”

“Why are you telling me this?” Spain asked, and his voice was back to its normal brisk and impersonal tone. “You're unusually cooperative for a newsman.”

“Because --” Nathan changed his mind, and took a chance on the truth. “I want you to hurry up and solve this thing.”

Spain asked smoothly, “Any particular reason? Or are you just a concerned citizen, Mr. Doyle?”

“I…think you know my reason,” Nathan said very quietly, although there was no one to overhear him, no one at all in the drugstore now except for him and the little old lady with apple-red cheeks and hair as white as powdered sugar.

There was another surprised silence on the other end of the phone.

Then Spain said, “You're heading up to the lodge, you said?”

“If I can hire a car.”

“Try not to spook her.”

Nathan snorted. “Tell it to your granny,” he advised, and Spain chuckled.

“I'll be seeing you,” he said, and rang off.

Read the reviews for "A Snowball in Hell"



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